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At times it is volatile, at times it is violent. Bulbbul is an embodiment of the very spirit of a woman- it is at times whimsical, at times stoic, at times wild, at times shy, at times boisterous, at times quiet.
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Just like its protagonist, the eponymous Bulbul, the movie itself is fragile and delicate and yet powerful, almost a direct reflection of its writer/director Anvita Dutt. The writers make the character tremble on the brink of melodrama, but never lets her trip over. Even when she gives her cathartic speech sitting in front of her mother-in-law - she looks back at her life, remembering that she had to swap her ambition of becoming the world’s best dancer to being the world’s best wife almost overnight. The character arc evolves, the journey happens without Amrita speaking a single word. Here Amrita’s humiliation gives way to shock and disbelief at the nonchalance of the husband, before she slowly just gives up on the man who was till that point the most important part of her life. Instead of being apologetic about his act, he is looking for comfort from the wife, as if nothing really has happened.
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The morning after the incident, the husband comes to her and starts justifying his act while going on a rant about the problems he is facing in his professional life. The writers don’t arm her with preachy dialogues, but it is her steel silence in the quiet moments that stabs and shatters the din. She is questioned for dragging the matter too far. She puts her foot down and turns into an independent, self-respecting woman with a mind of her own.Įk thappad hi toh thha… people around her try to dismiss this act of violence, more so, this act of public humiliation as just a slap that Amu is supposed to forget. But, it is after her husband plants a slap on her face in the middle of a house party that we actually get to see Amrita, the person. When we first meet Amrita, she is a very bit of a submissive, sanskari, cotton dupatta-wearing, bahu- the loving and caring daughter-in-law, a dutiful and doting wife, a graceful and gracious host. There is a lot to unpack in Thappad where writers Anubhav Sinha and Mrunmayee Lagoo Waikul turn one slap across the face of Amrita (played to perfection by Tapsee Pannu), the protagonist of the story, into an exploration of patriarchy, male entitlement, misogyny, the normalisation of domestic violence against women and how women are robbed off their agency by their people in the name of keeping the family together. You don’t need to look for a man to complete you all you need is to simply find, acknowledge and embrace your ‘wholeness.’ Writers: Anubhav Sinha and Mrunmayee Lagoo Waikul